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Damien HirstH4-1 Sans Souci, 2018Giclée print mounted with diasec on aluminium panel
Signed by the artist and numbered, on verso92 x 126 cmEdition of 75 + 5 AP -
Zhang XiaogangBloodline: Big Family, 2006Lithograph on paper, framed
Signed by the artist and dated, lower right on recto124.5 × 145 cmEdition of 58 -
Hiroshi SugimotoThe Origins of Love, 2004Complete portfolio of eight offset prints and and pigmented colour iris print, on Parilux gloss text paper mounted to 4-ply Rising Museum Board29.5 × 27.5 cm eachEdition of 50
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John StezakerTouch, 2014Archival pigment print on Somerset Photo Satin 300gsm55.5 x 44.0 cmEdition of 100
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Ben Eine, Love, 2018
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Bridget RileySerpentine Print , 1999Original Screenprint in colours, on wove paper, signed by the artist in pencil255 * 255mms (10 inches * 10 inches)Edition 179 of 200. There were also 20 Artists Proofs
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Cleon PetersonAryballos , 2018Papier : 290gsm Coventry rag paper with deckled edges16" x 16" (40.5 x 40.5cm)Edition of 150
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Ben Eine, Hope, 2018
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Bridget RileyElongated Triangle 6, 1971Original Screenprint in colours, on wove paper, signed and dated by the artist in pencilHeight 41.7 in
Width 14.8inEdition 15 of 75 -
Gerhard Richter, Aladin [P11], 2014
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Robert IndianaGreenpeace, 1994Original screenprint in colours, signed and dated by the artist in pencil81.3 x 74.9 cm
32 1/8 x 29 1/2 inEdition of 170 -
Sir Anish KapoorNo Title 2000, 2002Original Etching, in colours, on support paper, signed by the artist in pencil43 x 38 cm
16 7/8 x 15 inThe total edition was of 30 proofs of which 12 were bound as books and 18 were presented in boxed portfolios from which our examples comes -
Shepard FaireyPower Offset, 2013Screenprint91 × 61 cmOpen edition
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Sir Anish KapoorWithout Title 2014, 2014Original Polymer gravure type Etching, in colours, on BFK Rives naturel 280gsm paper, signed and numbered by the artist in pencilPlate size 23 x 30 cm
Paper size 32 x 38 cmEdition 31 of 150 -
Cleon PetersonAmphora, 2018Papier : 290gsm Coventry rag paper with deckled edges18" x 24" (46 x 61cm)Edition of 150
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Daniel Arsham, Fictional Nonfiction: Archaeology, 2019
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Patrick HeronInterlocking Pink and Vermillion with Blue, 1970Original screenprint, 1970, in colours, signed and dated by the artist in pencil, verso is the Publishers stamp and an archive number written in pencil: 82.99Image: 59.4 x 78.7 cm
Sheet: 100,5 x 71,5 cm
Framed: 88 x 111.5 cmArist proof (Edition of 72, signed) -
Patrick HeronJanuary 1973 : Plate 18, 1973Original screenprint, 1973, in colours, signed and dated by the artist in pencil, verso is the Publishers stampImage: 58.6 x 81.4 cm
Sheet: 92.3 x 68 cm
Framed: 88 x 111.5 cmArist proof (Edition of 72, signed) -
Patrick HeronJanuary 1973 : Plate 5, 1973Original screenprint, 1973, in colours, signed and dated by the artist in pencil, verso is the Publishers stampImage: 58.6 x 81.4 cm
Sheet: 92.3 x 68 cm
Framed: 88 x 111.5 cmArist proof (Edition of 72, signed and numbered proofs) -
Patrick HeronJanuary 1973 : Plate 7, 1973Original screenprint, 1973, in colours, signed and dated by the artist in pencil, verso is the Publishers stampImage: 58.6 x 81.4 cm
Framed: 76 x 97.5 cmArist proof , inscribed lower left (Edition of 72, signed and numbered proofs)
Lasting Impressions
Past exhibition
5 March - 1 May 2020
![Gerhard Richter, Aladin [P11], 2014](https://artlogic-res.cloudinary.com/w_600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/dellasposa/images/view/097ab5a5a4b48af051e3dad652bf9a46j/dellasposa-gerhard-richter-aladin-p11-2014.jpg)
