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Damien HirstH4-1 Sans Souci, 2018Giclée print mounted with diasec on aluminium panel
Signed by the artist and numbered, on verso92 x 126 cmEdition of 75 + 5 AP -
Zhang XiaogangBloodline: Big Family, 2006Lithograph on paper, framed
Signed by the artist and dated, lower right on recto124.5 × 145 cmEdition of 58 -
Hiroshi SugimotoThe Origins of Love, 2004Complete portfolio of eight offset prints and and pigmented colour iris print, on Parilux gloss text paper mounted to 4-ply Rising Museum Board29.5 × 27.5 cm eachEdition of 50
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John StezakerTouch, 2014Archival pigment print on Somerset Photo Satin 300gsm55.5 x 44.0 cmEdition of 100
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Ben Eine, Love, 2018
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Bridget RileySerpentine Print , 1999Original Screenprint in colours, on wove paper, signed by the artist in pencil255 * 255mms (10 inches * 10 inches)Edition 179 of 200. There were also 20 Artists Proofs
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Cleon PetersonAryballos , 2018Papier : 290gsm Coventry rag paper with deckled edges16" x 16" (40.5 x 40.5cm)Edition of 150
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Ben Eine, Hope, 2018
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Bridget RileyElongated Triangle 6, 1971Original Screenprint in colours, on wove paper, signed and dated by the artist in pencilHeight 41.7 in
Width 14.8inEdition 15 of 75 -
Gerhard RichterAladin [P11], 2014Chromogenic print mounted with Diasec on aluminium, rotated by 180˚37 x 50 cmEdition of 500
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Robert IndianaGreenpeace, 1994Original screenprint in colours, signed and dated by the artist in pencil81.3 x 74.9 cm
32 1/8 x 29 1/2 inEdition of 170 -
Sir Anish KapoorNo Title 2000, 2002Original Etching, in colours, on support paper, signed by the artist in pencil43 x 38 cm
16 7/8 x 15 inThe total edition was of 30 proofs of which 12 were bound as books and 18 were presented in boxed portfolios from which our examples comes -
Shepard FaireyPower Offset, 2013Screenprint91 × 61 cmOpen edition
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Sir Anish KapoorWithout Title 2014, 2014Original Polymer gravure type Etching, in colours, on BFK Rives naturel 280gsm paper, signed and numbered by the artist in pencilPlate size 23 x 30 cm
Paper size 32 x 38 cmEdition 31 of 150 -
Cleon PetersonAmphora, 2018Papier : 290gsm Coventry rag paper with deckled edges18" x 24" (46 x 61cm)Edition of 150
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Daniel Arsham, Fictional Nonfiction: Archaeology, 2019
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Patrick Heron, Interlocking Pink and Vermillion with Blue, 1970
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Patrick Heron, January 1973 : Plate 18, 1973
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Patrick HeronJanuary 1973 : Plate 5, 1973Original screenprint, 1973, in colours, signed and dated by the artist in pencil, verso is the Publishers stampImage: 58.6 x 81.4 cm
Sheet: 92.3 x 68 cm
Framed: 88 x 111.5 cmArist proof (Edition of 72, signed and numbered proofs) -
Patrick HeronJanuary 1973 : Plate 7, 1973Original screenprint, 1973, in colours, signed and dated by the artist in pencil, verso is the Publishers stampImage: 58.6 x 81.4 cm
Framed: 76 x 97.5 cmArist proof , inscribed lower left (Edition of 72, signed and numbered proofs)
Lasting Impressions
Past exhibition
5 March - 1 May 2020
![Gerhard Richter Aladin [P11], 2014 Chromogenic print mounted with Diasec on aluminium, rotated by 180˚ 37 x 50 cm Edition of 500](https://artlogic-res.cloudinary.com/w_600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/dellasposa/images/view/097ab5a5a4b48af051e3dad652bf9a46j/dellasposa-gerhard-richter-aladin-p11-2014.jpg)
