Nicholas Hughes, Aspects of Cosmological Indifference [Verse I, no. 13], 2012

Nicholas Hughes achieves his layered, ethereal photographic compositions through sophisticated analogue and darkroom techniques that blur the boundaries between the physical landscape and atmospheric elements.

Hughes uses multiple exposure methods in-camera, carefully adjusting contrast and creating inversions to generate fluid, blended images. By layering transparencies, he creates scenes where clouds are interchangeable with a forest of trees, as seen in the present work.

In the darkroom, Hughes exploits photomechanical techniques to manipulate his images further. He often layers imagery to create "scenes that evoke the emotional reality of his environment." This approach allows him to transcend literal representation and capture a more intuitive, sensory experience of landscape.

The layering serves a deeper purpose beyond technical virtuosity. Hughes seeks to collapse "the vast distances between human existence and cosmic space," creating images that suggest the interconnectedness of all natural systems. By blending transparencies, he produces photographs that feel simultaneously intimate and infinite, revealing what he describes as "a sensitive chaos of flowing forms" that crystallises the fundamental unity of natural phenomena.

The photograph's calming qualities reflect its philosophical underpinning—the universe's fundamental indifference to human existence. It blends ethereal and ecological elements that Martin Barnes describes as merging "the earthly with the epic." This reflects Hughes' artistic mission of addressing environmental vulnerability while celebrating nature's transcendent qualities.

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Nicholas Hughes U.K., 1963

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