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Open a larger version of the following image in a popup: Lynn Chadwick, Winged Creature, 1958
Open a larger version of the following image in a popup: Lynn Chadwick, Winged Creature, 1958
Open a larger version of the following image in a popup: Lynn Chadwick, Winged Creature, 1958
Open a larger version of the following image in a popup: Lynn Chadwick, Winged Creature, 1958
Open a larger version of the following image in a popup: Lynn Chadwick, Winged Creature, 1958
Open a larger version of the following image in a popup: Lynn Chadwick, Winged Creature, 1958

Lynn Chadwick British, 1914-2003

Winged Creature, 1958
Original lithograph in colour on wove paper
Signed by the artist, lower right on recto
slight creasing around the print
Framed
62 x 44 cm
© The Estate of Lynn Chadwick
Lynn Chadwick, Winged Creature, 1958
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Depicting a half-human, half-insect figure with angular geometric forms and distinctive wing-like structures balanced on thin legs, Winged Creature embodies Chadwick's angular, mechanical aesthetic that was influenced by his experiences...
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Depicting a half-human, half-insect figure with angular geometric forms and distinctive wing-like structures balanced on thin legs, Winged Creature embodies Chadwick's angular, mechanical aesthetic that was influenced by his experiences as a wartime pilot flying Swordfish biplanes, with the double-wing forms directly inspired by biplane architecture. The piece belongs to Chadwick's iconic 1950s period when he explored themes of movement, balance, and what he called "attitude". The creature's insect-like appearance and metallic quality embody what critic Herbert Read termed the "geometry of fear" - reflecting post-war anxieties and the threatening atmosphere of the Cold War era.
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