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Open a larger version of the following image in a popup: Bridget Riley, Intervals 3, 2021

Bridget Riley U. K., 1931

Intervals 3, 2021
Complete set of three screenprints in colours, on wove paper, framed
Signed, annotated, dated and numbered in pencil, on recto
55.9 x 28.1 cm (each)
© Bridget Riley
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Bridget Riley's triptych 'Intervals 3' (2021) is a striking example of the artist's continued exploration of colour, form, and perception. The work consists of three panels, each featuring horizontal stripes...
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Bridget Riley's triptych 'Intervals 3' (2021) is a striking example of the artist's continued exploration of colour, form, and perception. The work consists of three panels, each featuring horizontal stripes in muted colours and white, creating a harmonious and visually engaging composition.

The inspiration for 'Intervals 3' can be traced back to Riley's lifelong fascination with the natural world and its visual dynamics. While her work is abstract, it is deeply rooted in her observations of nature, particularly the landscapes of Cornwall, where she spent much of her youth. The horizontal stripes in 'Intervals 3' evoke the rhythm of waves or the subtle shifts in colour found in natural environments.

The meaning behind 'Intervals 3' lies in Riley's ongoing investigation of how colour and form interact to create visual experiences. Riley senses movement and depth within the static image by carefully selecting and arranging colours. The work invites viewers to engage actively with the piece, allowing their perception to shift and change as they observe the interplay of colours and lines.

Riley's process in creating 'Intervals 3' likely involved extensive experimentation with colour combinations and stripe widths. She often uses a projector to sketch initial designs, allowing her to fine-tune compositions before committing them to canvas. The precision and balance in 'Intervals 3' reflect Riley's meticulous approach to her art.

'Intervals 3' demonstrates Riley's continued commitment to exploring the possibilities of abstraction and perception relating to her larger Intervals series, which began in 2018 and represents a crucial moment in Riley's career. It showcases her return to the stripe motif, a recurring element in her work that she has revisited at pivotal points throughout her artistic journey.

'Intervals 3' exemplifies Riley's ability to create visually compelling works that engage viewers on both perceptual and emotional levels. It stands as a testament to her enduring influence in the field of Op Art and her ongoing contributions to exploring colour theory and visual perception in contemporary art.
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