This 1967 Vogue portrait, ‘Catherine Deneuve, Flamingo,’ featured in Vogue, 1967, epitomises Bailey’s innovative approach to fashion photography through its striking juxtaposition and visual metaphor.

The flamingo’s elongated neck and poised body echo a visual rhyme with Deneuve’s graceful, sculptural form. In contrast, her feathered headpiece echoes the bird’s plumage, creating metaphorical and literal connections between subject and avian companion. By aligning Deneuve - herself a symbol of European cinematic allure - with the exotic bird, Bailey teases the viewer with a sophisticated visual pun on the word ‘bird.’ This witty doubling is not a mere coincidence: Bailey’s interest in birds - ‘At one point I wanted to be an ornithologist’, he has remarked - imbues the image with personal significance to what might otherwise be a stylish composition.

Transcending fashion photography, the portrait reveals the relationship between the photographer and the subject (Bailey and Deneuve were married from 1965 to 1972). It epitomises the ineffable quality Bailey sought in his subjects while transforming Deneuve and the flamingo into timeless symbols of beauty.