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Open a larger version of the following image in a popup: Jean-Michel Basquiat, Jawbone Of An Ass, 1985-2004

Jean-Michel Basquiat USA, 1960-1988

Jawbone Of An Ass, 1985-2004
Screenprint in colours on Saunders Hot Press watercolour paper
Signed in pencil and dated verso by Gerard Basquiat, the executor of the Jean-Michel Basquiat Estate
Numbered in pencil and with the stamped Certificate of Authenticity
108.6 by 152.4 cm (42¾ by 60 in.)
© The Estate of Jean-Michel Basquiat
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The present work is a posthumous edition after Jean-Michel Basquiat. The title of the piece references a biblical story from the Book of Judges, where Samson uses the jawbone of...
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The present work is a posthumous edition after Jean-Michel Basquiat. The title of the piece references a biblical story from the Book of Judges, where Samson uses the jawbone of a donkey to kill a thousand men. This allusion to religious texts is part of Basquiat's broader engagement with historical and cultural references, which he often incorporated into his work. In 'Jawbone of an Ass,' Basquiat lists historical figures such as Hannibal, Machiavelli, Savonarola, and Sappho, alongside events like the Punic Wars, creating a tapestry of historical figures - many of whom met tragic fates - and cultural allusions that reflect on the cyclical nature of conflict and power.

Beneath the surface of historical allusions, Basquiat weaves a sharp critique of contemporary society. The artwork references significant moments in American history, such as the 'Louisiana Purchase' and 'Emancipation Proc.' This juxtaposition of ancient and modern history creates a cyclical vision of conflict and catastrophe, suggesting that violence and oppression persist. Words are repeated, twisted, and juxtaposed, creating a lexical puzzle for the viewer. The fevered arrangement of text and imagery, with layers of paint and crossed-out sections, alongside his iconic motifs, add another layer of depth and connect this work to his broader oeuvre. Dominated by Basquiat's signature style, the artist's bold brushstrokes, spontaneous gestures, and graffiti-like markings dominate the composition, while his iconic crown motif appears throughout the work in various forms, alongside stars, explosions, and battling figures that add to the energy of the work.

The present work exemplifies his ability to blend wordplay, historical references, and social commentary. With his chaotic arrangement of figures and events, coupled with his expressive use of colour and form, Basquiat invites viewers to engage with the complexities of history and its impact on contemporary society. 'Jawbone of an Ass' reflects his deep curiosity and ability to convey the chaotic energy of his time, making it a significant piece of his artistic legacy.
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