SONIA DELAUNAY UKR., 1885-1979
Sonia Delaunay’s innovative explorations of color and form began with a quilt she made for her son in 1911 that would spur a breakthrough in the history of abstraction. She had moved from Moscow to Paris at age 20, where she first encountered Post-Impressionism and Fauvism, inspiring her to push further toward non-objective art. Along with her husband, Robert Delaunay, she developed a bright blend of Cubism and Futurism that would be dubbed Orphism by critic Guillaume Apollinaire in 1910—though Delaunay preferred the term “Simultaneous Contrasts”. In addition to painting, she created textiles as “exercises in color,” under the Maison Delaunay label, even creating costumes for Sergei Diaghilev’s Ballets Russes. In 1964, Delaunay became the first living woman to be given a retrospective at the Louvre.
We specialise in original works of art and editions by Sonia Delaunay. For further information on artwork available through private sales, please do contact info@dellasposa.com or +44 (0)20 3286 1017
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Sonia DelaunayContrastes, c. 1971Original lithograph on paper
Signed by the artist and numbered in pencil, lower left on recto60.2 × 75 cm
100 x 85.5 cm (framed)Edition of 75 -
Sonia DelaunayVole de Nuit, 1975lithograph in colours
hand-signed and numbered by the artist75 x 56 cmEdition of 75 -
Sonia DelaunayAvec moi meme, 1970Original etching and aquatint on on Arches watermarked paper, with full margins
Signed by the artist in pencil, lower right on rectoPlate: 49.5 x 40 cm
Sheet: 50.5 x 66 cmEdition 40 of 75 -
Sonia DelaunayAvec moi meme [no. 6], 1970Original etching and aquatint on on Arches watermarked paper, with full margins
Signed by the artist in pencil, lower right on rectoPlate: 40 x 49.5 cm
Sheet: 50 x 66 cmArtists Proof (EA). Aside edition of 75