Werner Bronkhorst S. A. , b. 2001

Werner Bronkhorst constructs richly textured terrains where hyperrealist miniature figures navigate overwhelming landscapes of sculptural paint, volcanic ash, and marble dust. Working with thick acrylic gel mediums spread across canvas to evoke oceanic expanses, snow-covered mountains, manicured grass courts, and urban infrastructure, he then applies minuscule human forms—surfers, skiers, tennis players —each rendered with meticulous detail using the finest brushes.

This radical juxtaposition of scale creates what he describes as a visual parallel for human existence: "If we look at the world from above, all of us are miniatures". The technique, which emerged through his unconventional use of raw materials and leftover building compounds, provided the foundation for his innovative approach to painting. 

Bronkhorst's works interrogate the tensions between human agency and environmental forces, positioning leisure activities within monumental abstract spaces that speak to contemporary anxieties about ecological precarity and existential navigation.

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Born in 2001 in Pretoria, South Africa, Werner Bronkhorst began experimenting with art in his youth, drawing inspiration from abstract expressionism, surrealism, and pop culture movements, adapting works by Andy Warhol, Willem de Kooning, and Mark Rothko. Bronkhorst sets himself within a lineage exploring materiality and metaphor while maintaining entrepreneurial independence, sharing his creative process through social media to build direct relationships with collectors worldwide. His thematic collections—playfully named after "Drugs, Sex, and Rock & Roll" — investigate specific visual territories, from water (Sail Away) to greenery (Forbidden Grass), each maintaining his signature approach of a minute human presence against monumental abstraction.